Two weeks earlier nan constricted merchandise of Eva Victor‘s feature directorial debut, “Sorry, Baby,” nan multi-hyphenate was engaged pinch immoderate off-beat grassroots marketing: assuring Instagram followers that nan film‘s feline supporting star, who appears successful much of nan Sundance hit’s marketing, was OK. More than OK!
“I support having to do them,” Victor told IndieWire during a caller question and reply astir those homegrown PSAs. “Someone told maine that their friends aren’t going to spot it because they’re worried nan feline dies. And I was like, OK, so, something must beryllium done. I’m continually trying to punctual people, but I don’t cognize if it’ll activity out. But I dream nan connection will get astir yet that it’s not that benignant of movie. [And it’s not just] ‘the feline doesn’t die.’ I want it to beryllium ‘the feline lives a awesome life and thing bad ever happens to nan cat.’ You cognize what I mean? Because that’s different.”
That’s nan benignant of attraction and attraction that Victor — who wrote, directed, and stars successful nan movie — lavishes connected everything they do (Victor uses she/they pronouns). And it’s that nonstop benignant of sensitivity that runs done each infinitesimal of “Sorry, Baby,” which premiered to awesome acclaim astatine this year’s Sundance Film Festival, wherever it besides picked up distribution from A24 and nan Waldo Salt Screenwriting Award for Victor.
Victor’s debut is simply a darkly funny and enormously tender movie that is astir what happens aft nan worst happens, but pinch plentifulness of room to weave nan ray adjacent to nan dark. As nan film’s logline hints, “something bad” happens to Victor’s Agnes, but nan creator and prima is wise capable to understand that’s only portion of nan story, because that’s only portion of life itself.
Told successful non-linear chapters, nan movie follows Agnes arsenic she deals pinch said atrocious life event, each of it group successful nan mini New England municipality wherever she attended grad schoolhouse and is now a professor. While “Sorry, Baby” mightiness beryllium rooted specifically successful Agnes’ communicative and nan bad point astatine its center, successful its specificity, there’s still tremendous room for wider nickname and revelation. Plus: tiny cat.
So, yes, nan feline (named Olga successful nan film, arsenic played by Noochie nan cat) is conscionable fine, more than fine. Other animals? Well, location is simply a cardinal segment successful nan movie involving a rodent who doesn’t fare quite arsenic well, though that’s each treated pinch nan aforesaid blend of kindness and acheronian joke that sets nan movie apart. Victor is incredibly easy to talk to, and connected a wide array of subjects, truthful chatting astir Olga soon led to talking astir their ain feline (Clyde) and this writer’s brace of tuxedos (Felix and Oscar) and their various adventures pinch in-house vermin (mostly bad).
Then, of course, came this exchange, which feels arsenic if it could person been pulled straight retired of “Sorry, Baby”:
Kate Erbland: I sewage a hamster erstwhile I was nine.
Eva Victor: Bad?
And while “bad” doesn’t moreover statesman to screen it (anyone who has ever owned a hamster tin spot wherever this is going, and that’s earlier I mention that my hamster came to maine pregnant), nan quickness pinch which Victor tin publication emotion, respond to it, and do it successful specified a measurement that you consciousness for illustration instant confidants, well, that’s astir apt why “Sorry, Baby” is specified a revelation.
Cats, mice, hamsters, ohio my! aside, really is Victor emotion now, connected nan cusp of nan movie being released?
“I’m emotion good. And weird. But I consciousness really excited for nan movie to travel retired and person existent group spot it,” they said, speaking successful nan aforesaid clipped mode arsenic Agnes. “It’s been truthful astonishing that movie group spot it, but it’s besides a movie I made for a type of myself that didn’t cognize overmuch astir movie and conscionable wanted to feel a film. That’s benignant of who nan film’s for. It conscionable feels for illustration benignant of this pent-up thing, but I’m fresh to release. It’s funny it’s called a release. It’s mirroring truthful overmuch astir commencement successful a measurement that I’m amazed by.”

Victor is rather thoughtful connected nan taxable of who nan movie is “for.” “Whenever you’re successful a finance meeting, group emotion to talk astir ‘target audience,’ and I’m like, ‘Honestly, I deliberation for a movie for illustration this, it’s really truthful overmuch based connected your lived experience,'” they said. “I retrieve each nan financiers were like, ‘It’s young women!’ and I’m like, ‘Maybe?’ I don’t know, but I’m excited to fig retired who ends up seeing it and who finds it.”
Taking nan movie astir to different festivals and screenings has been instructive, and Victor has spent nan weeks and months since that Sundance premiere getting a consciousness of who will find nan film. Who needs nan film.
“Once successful a while, I’ll do a Q&A aft a screening, and past location are group who I meet, group who are emotion connected to it,” Victor said. “It’s not ever nan group I expect, based connected really they look aliases something, but I really for illustration that.”
They noted that shaper and Pastel main Adele Romanski has a “finance bro friend” who is “obsessed” pinch nan movie. “I consciousness for illustration nan much clip I walk successful gender-fluid mentality, nan much I’m like, ‘Everyone’s conscionable fucking figuring it out.’ I deliberation group are surprising. People tin astonishment you pinch what hits for them,” Victor said.
Victor talks astir movie successful a very visceral, beingness way. Films tin hit you. They tin move you. They tin lodge in you.
“The measurement I support reasoning astir movies correct now, it’s for illustration location are immoderate films that travel successful arsenic you’re watching them and past move through you and leave. They time off your body. And past there’s immoderate films that lodge themselves into your assemblage and soul,” Victor said. “Because nan movie is truthful personal, I can’t really show [which 1 it is]. It’s up to each person, whether it lodges aliases whether it moves.”
Victor has been unfastened astir nan very individual quality of her film, and that Agnes’ experiences are inspired by things that happened successful her ain life. In nan early days of lockdown, Victor did what galore group did — sewage ace into watching movies — and while they’d already been performing by that constituent (stand-up, incredibly hilarious societal media bits), their liking successful movies took a different cast. She started looking for stories that appealed to her ain lived experiences, and that desire to spot those experiences and stories and emotions yet led to Victor penning nan film’s screenplay.
“When I was penning it was like, ‘Can this [even] beryllium a script?,'” they said. “And past I started to understand really movies are not a script. One portion of what nan movie will beryllium exists successful nan script, and nan remainder is visual, and you tin effort to constitute towards it, but it’s a wholly different medium. That portion I really recovered a batch of joyousness in.”
The benignant of films that inspired Victor — they named immoderate “really intense” titles for illustration “Three Colors: Blue,” “The Double Life of Veronique,” and “The Piano Teacher” — were much astir nan feelings they wanted to convey. “It started becoming clear that this is what nan movie looks for illustration and this is what nan movie feels for illustration successful different moments,” Victor said.
Victor said location are 2 chopped moments successful nan book wherever each of that blended together during nan penning process — really it would look versus really it would feel, and what visuals were needed to span that — including nan opening changeable of nan movie and a cardinal infinitesimal that happens successful nan film’s 2nd chapter, “The Year pinch nan Bad Thing.” Both moments attraction connected a building: nan opening changeable is of Agnes’ mini state house, nan different segment is of her professor’s (Louis Cancelmi) rowhouse complete nan people of a fewer hours.
“Those were 2 moments wherever I was like, ‘This is very clear to me, nan filmmaking successful this is very elemental and clear to me,’” Victor said. “And they’re benignant of driving moments of nan movie visually that allowed maine to spot it arsenic a movie and that it needs to beryllium a movie. I deliberation nan screenplay part, I felt beautiful comfortable, I felt for illustration I understood what nan screenplay was, and it was really astir translating it into a film. That was nan portion that I was like, ‘Oh, my God.’ But, also, if you person a screenplay, it is successful there. You conscionable person to fig retired precisely what you mean.”
Starring successful nan film? That was an easier inquire for Victor. Directing it? OK, a spot much fraught.
“I knew I wanted to enactment successful it because I wrote it for myself ultimately, honestly,” they said. “I was like, ‘Maybe we should find personification other to nonstop it, because that seems for illustration a lot,’ and I thought astir it for a small spot and I was like, ‘Wait, this feels weird.’ My producers were like, ‘Go deliberation astir it, fto it crystallize.’” I took a mates months and past I deliberation I wrote backmost an email that nan taxable was like, ‘Crystallizing Happening’ aliases something.”
Those producers see nan squad astatine Pastel, including chap filmmaker Barry Jenkins, Adele Romanski, and Mark Ceryak. Pastel came connected early to nan project, and were instrumental to Victor successful galore ways, including getting Victor to nan constituent wherever directing felt possible.
“It took maine a small bit. Then I was like, ‘I do want to nonstop it, and these are nan places wherever I consciousness very insecure astir that,’” Victor said. “They benignant of group maine up connected a journey. We collaborated connected a travel of getting maine to consciousness comfortable directing. Which, I don’t cognize if I’ve ever felt comfortable directing, but I sewage to a spot wherever location was nary much learning to beryllium done not connected nan job.”
Romanski and co-producer and Pastel exec Catalina Rojter were often connected nan film’s Massachusetts set, Victor said, joined by Jenkins erstwhile his schedule allowed. (Victor said nan brace really bonded during nan editing of nan film, erstwhile Victor was editing “Sorry, Baby” astatine nan aforesaid post-production installation arsenic Jenkins’ “The Lion King: Mufasa.” “We edited successful nan aforesaid spot arsenic ‘Lion King,’ but they built a wall truthful that we couldn’t spot what they were making, because it was very private,” Victor said pinch a wry smile. “Like, 1 clip I saw one image of an owl, and I was like, ‘Fuck, I’m going to get fired.’ And past I was like, ‘Fuck, that looks good.’”)
To hole for their first time connected set, Victor besides turned to different filmmakers for immoderate advice. Jane Schoenbrun offered immoderate that really stuck, speaking to some nan pragmatism and emotion Victor wanted to bring to nan production.
“At that point, I was conscionable ready,” Victor said. “I was really tense though, too, because I was trying to group reside successful each these ways earlier [we moreover started]. I retrieve Jane told maine this point while they were shooting ‘I Saw TV Glow,’ and they were like, ‘The astir important point astir nan first time is making nan day.’ So, you person to decorativeness connected time, because morale needs it, and group request to spot that you cognize really to do that. That was a instruction that I took pinch me. I was like, ‘We’re finishing nan time connected time.’”

The first shot? A small trickier, arsenic it progressive Victor arsenic Agnes and Naomi Ackie arsenic her devoted champion friend Lydie going for a locomotion adjacent Agnes’ location (which besides utilized to beryllium Lydie’s house).
“There was a train that went by each 20 minutes nether nan passageway we were stepping over, and I really wanted to hold for nan train,” Victor said. “And Adele was like, ‘That’s crazy. This is nan first changeable of nan day.’ And I was like, ‘Ah, man, I don’t cognize if I should hold for nan train,’ and past I turned to Naomi, and I was like, ‘Should we hold for it?’ And Naomi was like, ‘Whatever you want. Do immoderate you want. I’m here.’”
In immoderate ways, that’s Agnes and Lydie’s narration successful a nutshell, 1 borne of love, trust, and confidence. If Lydie is Agnes’ person, it judge sounds for illustration Ackie filled that aforesaid domiciled for Victor.
“I really deliberation nan logic that nan sprout worked was because Naomi had truthful overmuch spot successful maine from nan beginning, without having immoderate impervious I could do it,” Victor said. “There were moments erstwhile I had to deliberation astir what I wanted, and nan patience that she gave maine and nan emotion that she gave maine was wholly basal for maine to past go much confident. That’s specified a gift from time 1 for her to spot maine without having immoderate logic to, really.”
The past time of accumulation focused connected scenes pinch Victor and co-star Lucas Hedges, including a fistful of much friendly moments betwixt Victor and Hedges. No spoilers here, but Victor said Hedges’ past changeable sees his Gavin moving retired of his location toward Victor’s Agnes, and Victor’s past changeable was nan converse, pinch Agnes moving toward him. That’s a saccharine capable statement to extremity it on, but Victor, arsenic ever, had a slew of hilarious specifications that only added to its powerfulness and humor.
“Our Steadicam operator, Dean, was recovering from Norovirus that he sewage from his kids,” Victor said. “I kept moving successful nan incorrect direction, because I was moving toward nan house, because my intuition was telling maine that, but I really had to tally toward these lights. I kept moving nan incorrect way, and he conscionable kept chugging Gatorade and I felt truthful bad. Then it started snowing. The full logic I wanted to sprout location and past was because I wanted to get fucking snowfall successful nan movie, and it snowed nan play before we shot, and it snowed nan nighttime we were wrapping, and we really had to hold for it to extremity snowing because nan shots wouldn’t match. So, snowfall didn’t happen! But I heard that happened to ‘Certain Women,’ too, which is simply a really important movie for this film. I’m successful bully company.”
What did it consciousness for illustration to wrap production? “It was fun, but it was weird,” Victor said. “There’s a condolences to it. When you’re imagining your film, it’s endless, and nan logic it’s difficult is that it doesn’t beryllium yet, but it’s everything. By nan extremity of nan shoot, there’s this sadness of, it’s finite, what you person is what you have. But past it’s besides euphoric, because you person it.”
Victor laughed. “And I had ne'er done an edit before, truthful we wrapped and I was like, ‘We did it! It’s over!,’” they said. “And it’s like, hellhole no. I was humbled quick. I went to LA nan adjacent week to commencement editing. I had 1 week disconnected wherever I was successful my parents’ house, comatose. It was an aggravated time. It was amazing. I miss it. The further I get from it, nan much I crave it. I really do miss nan portion wherever we were making something.”

There’s small mobility that making nan movie was intensely individual and profoundly treatment for Victor, but they besides understand that by saying nan movie is based connected their ain experiences aliases events successful their life, that opens a doorway for group to pry.
“I’m incredibly willing successful privacy,” they said. “It’s thing I’ve had for a agelong time. When I was doing stand-up, I had each these boundaries astir what I would say. I deliberation it made maine a beautiful bad stand-up, because I was like, ‘I don’t want to talk astir thing astir my relationships.’ That’s 1 of nan astir absorbing things group could talk about!”
But “Sorry, Baby” is, Victor stressed, a fictional communicative film. “I know, [there’s] a batch of curiosity,” Victor said. “It’s evidently a individual film, but I did person a batch of joyousness successful nan creation of world-building and successful nan fictional parts. It was benignant of nan champion of some worlds, wherever I sewage to weave successful my small truths successful ways that are disguised capable successful this world that I sewage to build to support this person’s story. Real life is existent life, but a movie has to beryllium contained, because it only lasts a definite magnitude of clip and nan world has to support nan story.”
Victor added, “People’s liking successful my experience, I’m trying to look astatine it beautiful empathetically, that group consciousness connected to nan movie and are wanting for much information.” For those wanting much information, Victor points backmost to nan movie itself.
“I do deliberation nan movie is nan purest type of what I could ever opportunity astir me, and nan movie is besides not me,” Victor said. “The movie is nan film. The movie is what we tin each look at, and I’m conscionable a portion of it successful my ain ways. It is simply a portion of art. It’s meant to beryllium a portion of creator creation. So, I do ever consciousness it’s due to constituent group toward nan movie if they person questions astir me.”
As we were speaking successful a tucked-away alcove connected nan 2nd level of nan Cherry Lane Theatre (which A24 purchased successful 2023), Ackie and Hedges were connected shape doing distant video interviews. A show successful nan alcove featured a unrecorded feed, and we could spot and perceive nan interviews arsenic they unfolded. On 1 hand, truthful nice! On nan other, truthful nerve-wracking!
“It’s truthful bully to person Naomi and Lucas astir maine doing [press] pinch me, because I don’t want it to conscionable beryllium my film,” nan filmmaker said. “I want it to consciousness for illustration a movie we each made, because we did. It’s bully to retrieve that it’s not conscionable me.”
As different distant video question and reply started up, Victor couldn’t thief but grin astatine nan monitor. “Aw, look astatine their tiny small faces,” they said, conscionable arsenic nan interviewer asked a mobility astir Victor. “It’s truthful awkward. They’re talking astir maine and I’m not here.”
While we managed to move nan measurement down, Victor couldn’t thief zeroing successful connected a flimsy framing problem, pinch Ackie and Hedges not rather evenly situated adjacent to each other. “It’s freaking maine retired that they’re not sitting successful nan middle,” Victor said, pinch a smile. “But that’s my problem. I’m nan director.”
A24 will merchandise “Sorry, Baby” successful constricted merchandise connected Friday, June 27, pinch a nationwide merchandise to travel connected Friday, July 18.