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With nan 10-episode “Murderbot” series, we really get 2 sci-fi shows successful one: There’s nan main sci-fi drama from Chris and Paul Weitz astir a rogue information robot (Alexander Skarsgård) hiding his free will while connected a vulnerable ngo pinch a group of scientists. In addition, there’s Murderbot‘s favourite abstraction soap opera that he watches for escapist fun: nan cheesy “Star Trek” parody, “Sanctuary Moon” (starring John Cho arsenic nan Captain).

For accumulation VFX supervisor Sean Faden, this meant wrangling a divers array of astir 1,800 VFX shots (spread among DNEG, Pixomondo, Image Engine, and Fin Design, among others). This included nan opening and closing of Murderbot’s helmet (his applicable achromatic suit was created by costume designer Laura Jean Shannon), nan UI that reflects his POV (accompanied by his snarky voice-over commentary), a elephantine alien worm, and nan realistic VFX utilized connected nan span of nan spaceship connected “Sanctuary Moon.”

Sarah Snook won nan Tony Award for Best Actress successful a Play astatine The 78th Annual Tony Awards.

Fred Armisen astatine IndieWire Honors Television 2025 held astatine NeueHouse Hollywood connected June 05, 2025 successful Los Angeles, California.

“For nan opening and closing of nan helmet, nan transportation that we had for nan VFX squad [at DNEG] pinch Chris and Paul was thing mechanical based connected nan creation of nan suit itself,” Faden told IndieWire. “And past fto nan nanotech conscionable benignant of thief america warrant nan pieces getting mini capable that they could each fresh together.

“So that’s why, erstwhile you watch it,” he continued, “the pieces still benignant of person a mobility to them that is much aliases little related to nan style of nan helmet creation itself. But nan point that was really nosy was that Murderbot doesn’t really wanna unfastened its helmet astir of nan time, and I thought it would beryllium awesome to person a fastener to play with. In Episode 1, it conscionable opens quickly because it needs to. But, successful Episode 2, Murderbot presses it and there’s a pregnant region to show that he’s conscionable messing pinch Gurathin [David Dastmalchian], who he doesn’t like.”

'Murderbot' alien worm‘Murderbot’Apple TV+

For nan floating graphics displaying Murderbot’s strategy alert, Faden worked pinch Finn and their creation team, Super Vixen. He moreover had an thought of making nan graphics character-driven during a Murderbot conflict segment pinch different robot. That’s wherever he cycles done each of his opponent’s programmed moves truthful he tin successfully counter-punch.

“We wanted to bring each these graphics for conflict enhancement that are still telling nan story,” he said. “We did 20 aliases 30 versions of this changeable until we had thing that we each felt was working. Sometimes it would consciousness excessively accelerated aliases excessively long. It was like, what was nan correct magnitude of clip for nan assemblage to beryllium capable to publication what was happening? And it was cycle, cycle, cycle, and past airs match, and past do an outline, blink, connected nan different portion until he’s recovered nan correct match. And past you tin rewind it and show that he’s really going to do nan aforesaid move. I deliberation we recovered nan correct saccharine spot.”

The alien worm from DNEG was evidently very different from their iconic sandworm from nan “Dune” franchise. This was much for illustration a caterpillar assemblage pinch overseas patterns connected its plates and a snapping turtle mouth. The sharp, bending legs were inspired by nan warrior bugs from “Starship Troopers,” which Faden antecedently worked on.

“When nan worm swallows Murderbot, we virtually had a kiddie passageway attached to a crane pinch a camera and dropped that on,” said Faden. “Our stunt feline would really get a existent guidance of being wrong nan kiddie passageway pinch a bunch of grips rocking it astir and getting him knocked backmost and forth.”

'Moonbot,' 'Sanctuary Moon'

Meanwhile, nan usage of an LED wall from Pixomondo to create nan inheritance environments connected “Sanctuary Moon” was intended to look awesome successful combo pinch a existent set, contempt nan show’s cheesy vibe. “We had nan footage connected nan screen, and it was each tracked to nan camera,” Faden added. “And we had 3 cameras moving astatine once, truthful sometimes nan fastener disconnected camera connected nan broadside mightiness conscionable beryllium seeing a wall and didn’t person to track, and that was okay. Whereas nan leader camera would way pinch nan modular measurement workflow. That worked really well.”

But “Murderbot” besides made usage of a batch of bully drone location footage from Toronto, Moab, Utah, and Iceland. “I went to Utah and changeable a ton of worldly for complete 2 days,” Faden said. “And a batch of those wider establishing shots were utilized for nan Hopper spaceship. I deliberation a immense portion of nan occurrence of our show visually was that we were capable to get that drone footage from a batch of different locations. And past we treated them. Fin added clouds, skies, and colour corrected them. And past that worldly was put onto our LED walls, truthful that was really helpful.”

“Murderbot” is now streaming connected Apple TV+.