Location activity is not usually considered 1 of nan “creative” departments connected a film. Of course, they activity pinch nan head and nan accumulation designer to find spaces that will activity for circumstantial scenes that can’t aliases shouldn’t beryllium changeable connected a set, but theirs is nan unsexy activity of negotiating contracts pinch owners, securing each nan needed permits, and handling nan crew’s effect connected locations. Yet head Celine Song credits a awesome woody of nan push-pull yearning of her 2nd feature, “Materialists,” to that location work.
New York City is not nan easiest spot to shoot, but it was important to Song for nan movie to bespeak nan realities of what it’s for illustration to unrecorded successful New York. The apartments and streets successful which nan characters conflict and dress up and make retired are characters successful and of themselves. “Location guidance successful this movie is simply a imaginative position. We were talking beautiful creatively — my DP, my statement producer, my accumulation designer, and my location head — we’re each trying to lick problems together,” Song told IndieWire connected an section of nan Filmmaker Toolkit podcast.
Location head Joe Mullaney and his squad moreover helped Song recognize thing astir nan characters that was embedded successful nan script, but nary 1 had rather articulated. “Joe was nan first to announcement — because he has to licence each clip a characteristic smokes — that Lucy [Dakota Johnson] ne'er smokes pinch Harry [Pedro Pascal]. She only smokes pinch John [Chris Evans]. And of people yet nan actors figured that out, too, but Joe was nan first,” Song said. “It’s a very circumstantial perspective.”
The position was an highly important 1 for “Materialists,” which is truthful circumstantial to New York and yet contains a overmuch wider humanities scope. It originates pinch and past later checks successful connected a very early, prehistoric marriage, aft all, and Song and Mullaney were delighted to find a area of Central Park wherever a span could echo nan consciousness of a cave, and visually merge nan 2 storylines astatine nan end. “ It requires Joe’s lifetime, his full career, of building spot successful New York City. He needs to person a bully estimation for being personification who tin beryllium trusted to springiness you their space. So I’m relying truthful overmuch connected his activity moreover earlier my movies, you know?” Song said.
But thing that pervades some of Song’s movies, “Materialists” and “Past Lives” is really surviving successful New York forces nan characters to move done nan echoes of millions of different people’s lives. Visually, that consciousness was thing nary magnitude of B-Roll aliases establishing drone footage could create. The characters had to beryllium successful and of nan city. It’s portion of nan romance Song wanted to create.

“Public spaces successful New York are nan astir romanticist places, because you cognize that you’re not nan first mates to person an statement there. Like, [on] each area of New York City, personification has peed there, personification has slept there, personification has had a immense statement there, and personification has kissed there,” Song said. “We’re shooting successful New York City, which is costly and difficult — conscionable for illustration surviving successful New York City. But [it’s] romanticist and rewarding — conscionable for illustration New York City. We were benignant of acknowledging, well, if you’re doing it, you mightiness arsenic good do it.”
That meant going each retired connected streets and stoops, particularly successful narration to John. His flat isn’t precisely conducive to heartfelt conversations, but Lucy’s isn’t that overmuch better, either. And nan truth that they can’t beryllium afloat comfortable aliases backstage successful nan spaces they unrecorded changes really nan characters move done nan world and desire each other.
“‘Materialists’ is astir nan measurement that nan cynic and nan romanticist are successful conversation, and successful a spot of a tussle,” Song said. “New York City is precisely that. To unrecorded successful New York City, you person to beryllium a romanticist because nan value of surviving is not precocious capable for it to beryllium imaginable for anybody who is not romanticist successful immoderate way… but connected nan different hand, portion of surviving successful New York City is that you person to person a patient dose of cynicism, too. [The city] conscionable encapsulates that astonishing balance. [So] it was ever fundamentally a point that we wanted to sprout successful New York City.”
“Materialists” is now playing successful theaters. To hear Celine Song’s full interview, subscribe to the Filmmaker Toolkit podcast on Apple, Spotify, aliases your favourite podcast platform.